Vintage photos capture Mary Hopkin's 1968 meeting with The Beatles in London, marking the start of her successful music career.

In 1968, the music world witnessed a remarkable moment when Mary Hopkin, a young Welsh singer, met The Beatles in London. This encounter, documented in vintage photos, marked the beginning of Hopkin's rise to fame and her association with Apple Records, The Beatles' record label. The story of Mary Hopkin's meeting with The Beatles is one of serendipity, talent, and the supportive environment fostered by the Fab Four.

### The Discovery

Mary Hopkin's journey to stardom began in a modest setting. Born in Pontardawe, Wales, she developed her musical talents from a young age, performing folk songs in local venues. Her big break came when she appeared on the British TV talent show "Opportunity Knocks." Hopkin's captivating voice and natural charm quickly won over the audience, and she emerged as a standout talent.

One of the show's viewers was model Twiggy, who was so impressed by Hopkin's performance that she recommended her to Paul McCartney. At that time, McCartney and the other members of The Beatles were actively involved in managing Apple Records, their newly founded label aimed at nurturing new musical talent.

### The Meeting

In early 1968, Mary Hopkin was invited to London to meet The Beatles at their Apple Corps headquarters on Savile Row. Vintage photos from this period capture the excitement and anticipation surrounding the meeting. In these images, Hopkin is seen in the company of Paul McCartney, John Lennon, George Harrison, and Ringo Starr. The photographs exude a sense of camaraderie and mutual respect, highlighting the supportive environment that The Beatles created for their proteges.

One iconic photo shows Hopkin and McCartney seated together, deep in discussion. McCartney, recognizing Hopkin's potential, took her under his wing, guiding her through the recording process and helping her select songs that would best showcase her voice. This mentorship was crucial in shaping Hopkin's early career and ensuring her success.

### Recording "Those Were The Days"

The collaboration between Mary Hopkin and The Beatles quickly bore fruit with the recording of her debut single, "Those Were The Days." The song, a Russian folk tune adapted with English lyrics by Gene Raskin, was chosen by McCartney for its haunting melody and nostalgic lyrics, which perfectly suited Hopkin's voice.

Vintage photos from the recording sessions reveal a relaxed yet focused atmosphere. McCartney, serving as the producer, worked closely with Hopkin, providing guidance and support.

The sessions at Abbey Road Studios were a blend of creativity and precision, with McCartney's expertise helping to bring out the best in Hopkin's performance.

"Those Were The Days" was released in August 1968 and became an instant hit, reaching number one on the UK Singles Chart and number two on the Billboard Hot 100 in the United States. The song's success catapulted Hopkin to international fame and established her as one of the leading voices of the era.

### Life at Apple Records

Following the success of "Those Were The Days," Mary Hopkin continued to record under the Apple label, releasing her debut album, "Post Card," in 1969. The album, produced by McCartney, featured a mix of folk and pop songs, including covers of contemporary hits and traditional ballads.

Vintage photos from this period show Hopkin immersed in the creative environment at Apple Records, often in the company of other artists and musicians associated with the label. The Beatles' influence is evident in the collaborative spirit that permeated the Apple studios, where artists were encouraged to experiment and express themselves freely.

One notable photo captures Hopkin alongside George Harrison and Apple recording artist Jackie Lomax, illustrating the sense of community and shared purpose that defined the label. These images serve as a testament to the nurturing and inclusive atmosphere fostered by The Beatles, which played a significant role in Hopkin's artistic development.

### A Lasting Legacy

Mary Hopkin's association with The Beatles and Apple Records was a defining chapter in her career. The vintage photos from 1968 and the story of her meeting with The Beatles capture a moment of transformation, where a young singer's talent was recognized and nurtured by some of the greatest musicians of the time.

Hopkin's success with "Those Were The Days" and her subsequent work with Apple Records left an indelible mark on the music world. Her clear, emotive voice and the timeless quality of her recordings continue to resonate with audiences today.

### Conclusion

The vintage photos documenting Mary Hopkin's meeting with The Beatles in 1968 provide a fascinating glimpse into a pivotal moment in music history. They capture the excitement and potential of a young artist on the brink of stardom, supported by the visionary talents of The Beatles.

 This encounter not only launched Hopkin's career but also highlighted the collaborative and nurturing spirit that defined Apple Records. Through these images and the story they tell, we are reminded of the magic that can happen when great talents come together, creating music that transcends time.

Video

Lyrics

Let's sing along with the lyrics!

Cry, baby, cryMake your mother sigh
The king of Marigold was in the kitchenCooking breakfast for the queenThe queen was in the parlorPlaying piano for the children of the king
Cry, baby, cryMake your mother sighShe's old enough to know betterSo cry, baby, cry
The king was in the gardenPicking flowers for a friend who came to playThe queen was in the playroomPainting pictures for the children's holiday
Cry, baby, cryMake your mother sighShe's old enough to know betterSo cry, baby, cry
The duchess of Kirkcaldy always smilingAnd arriving late for teaThe duke was having problemsWith a message at the local bird and bee
Cry, baby, cryMake your mother sighShe's old enough to know betterSo cry, baby, cry
At 12 o'clock, a meeting 'round the tableFor a seance in the darkWith voices out of nowherePut on specially by the children for a lark
Cry, baby, cryMake your mother sighShe's old enough to know betterSo cry, baby, cryCry, baby cryMake your mother sighShe's old enough to know betterSo cry, baby, cry
Cry, cry, cryMake your mother sighShe's old enough to know betterSo cry, baby, cry